quinta-feira, 29 de janeiro de 2026

Someday I’ll Love Ocean Vuong



Alexandra Saper
 




Ocean, don’t be afraid.

The end of the road is so far ahead

it is already behind us.

Don’t worry. Your father is only your father

until one of you forgets. Like how the spine

won’t remember its wings

no matter how many times our knees

kiss the pavement. Ocean,

are you listening? The most beautiful part

of your body is wherever

your mother's shadow falls.

Here's the house with childhood

whittled down to a single red trip wire.

Don't worry. Just call it horizon

& you'll never reach it.

Here's today. Jump. I promise it's not

a lifeboat. Here's the man

whose arms are wide enough to gather

your leaving. & here the moment,

just after the lights go out, when you can still see

the faint torch between his legs.

How you use it again & again

to find your own hands.

You asked for a second chance

& are given a mouth to empty out of.

Don't be afraid, the gunfire

is only the sound of people

trying to live a little longer

& failing. Ocean. Ocean —

get up. The most beautiful part of your body

is where it's headed. & remember,

loneliness is still time spent

with the world. Here's

the room with everyone in it.

Your dead friends passing

through you like wind

through a wind chime. Here's a desk

with the gimp leg & a brick

to make it last. Yes, here's a room

so warm & blood-close,

I swear, you will wake —

& mistake these walls

for skin.


Ocean Vuong 
in, Night Sky With Exit Wounds 




Dive In

In this tender poem of healing, care and remembrance, Ocean Vuong reaches out to his younger self.

1. The poet uses his own name several times, addressing his younger self. What effect does this repetition have on your reading of the poem? How do you think the poem would be different if it were written in the first person “I” voice?

2. What do you think it means for a poem to be “embodied?” What about a memory? Pause for a moment and close your eyes. Take a deep breath. Inhale deeply, in through your nose and out through your mouth. If you had to draw a map of emotions over your body, where in your body would you locate loneliness, envy, joy, sadness, anger? Write a line for each of those feelings without naming them. Instead, focusing on the sensations and place in your body where you feel them. See if your partner or other classmates can identify which feeling you were trying to convey. Remember, there is no right or wrong answer!

3. Which images in the poem do you find most stimulating, surprising, evocative, memorable, touching, meaningful? What are your personal associations with those images?

4. Find three examples in the poem of short lines in the imperative voice (i.e., telling someone what to do: “Stand up. Sit down.”). How does the mix of short and long lines affect your reading of the poem when you read it out loud? Which lines cause you to speed up and which ones force you to slow down? Why do you think the poet chose this effect?

5. Who are the other people in the poem? What does the poem suggest about the speaker’s relationships to them, and possibly about different aspects of his own identity (race, class, gender, sexuality)?

6. What does the poem suggest about the younger Ocean’s community and home environment? What sensory images (colours, smells, sounds, textures, tastes) bring them to life without actually telling us?

7. Imagine yourself at a younger age. Make some notes about your life at that time. What fears did you have? What personal challenges did you face, external (at home, at school) or internal (emotionally, personally)? What brought you joy and excitement? What did you struggle with? What do you think you were learning? Now, write a love poem to your younger self, offering them kindness, compassion and reassurance. Put your own name in the poem, and repeat it a few times in your poem, as you would if you were addressing a younger child. Make sure to include varying sentence lengths, including short imperatives (e.g. “Don’t worry,” or “Take your time.”). Title the poem, “Someday I’ll Love ________ (your name)”

 

O Imperador da Alegria







Numa noite chuvosa de fim de verão, Hai, um jovem imigrante vietnamita de 19 anos, está numa ponte em East Gladness, uma cidadezinha fictícia esquecida no interior de Connecticut, prestes a saltar. 
Do outro lado do rio, porém, ouve alguém a gritar do outro lado do rio, o que o impede de saltar — é Grazina Vitkus, uma refugiada lituana da Segunda Guerra Mundial, com 80 anos. 

Grazina oferece alojamento a Hai em troca da sua ajuda a lembrar-se de tomar a medicação, e a amizade sincera entre ambos ilumina o mundo cru e árido que habitam. 
Sem rumo e sem opções, eHai torna-se seu cuidador e, ao longo de um ano, esse laço passa a ser uma conexão improvável entre duas pessoas à deriva, e que dá início a uma relação que se transforma num frágil pacto de sobrevivência mútua. e que tem o poder de mudar a relação de Hai consigo próprio, com a família e com uma comunidade à beira do colapso.

Hai e Grazina revivem frequentemente a guerra através de encenações de batalhas que se aproximam de cenas de violência real, mas que são “tão parecidas com o inferno que parecem falsas”, como “gemidos de sangue coagulado enquanto ela ri e sopra fumo do dedo torto erguido…” 

Este livro é uma história sobre aqueles que vivem à margem da sociedade — jovens, velhos, imigrantes, pobres, viciados —, descartados pelo sonho americano e relegados aos bastidores do progresso. Ocean Vuong transforma esses esquecidos em protagonistas de beleza pungente, capturando momentos de conexão humana no meio do colapso económico, da rotina esmagadora do trabalho, das minúsculas perdas diárias e da insistência em, apesar de tudo, continuar a viver.

Vuong revela como a dor compartilhada pode abrir espaço para a ternura e o pertencimento, mesmo entre aqueles que o mundo insiste em esquecer. Aqui, não há idealizações, apenas a verdade crua e bela do que significa seguir em frente. Uma história sobre segundas oportunidades — não como milagres, mas como mínimos atos de coragem diária, que capta as esperanças e desilusões das pessoas que vivem na América contemporânea.

É um livro impressionante... 
Seguindo os ciclos da história, da memória e do tempo, O Imperador da Alegria revela as formas profundas como o amor, o trabalho e a solidão constituem a base da vida. 
No seu centro está uma corajosa epopeia sobre o que significa existir nas margens da sociedade e confrontar as feridas que se abrem na nossa alma coletiva.

É uma história de perda e esperança, sem sentimentalismos, sobre a dificuldade que temos para alcançar uma das misericórdias mais fugazes da vida: uma segunda oportunidade. 

Neste romance, sente-se intensamente a dureza de uma sociedade capitalista. O dinheiro – ou, mais precisamente, a necessidade crescente dele para sobreviver – é um motivo recorrente. 
Quando Hai começa a trabalhar na HomeMarket — uma popular cadeia de fast food — faz um turno experimental de cerca de quatro horas, mas quase não é remunerado, porque Sony, primo de Hai, diz a brincar que se esqueceu de registar a sua presença. 
Sony finge que o pai, que combateu no exército do Vietname do Sul, ainda está vivo. 

Hai e Grazina lutam para enterrar os respetivos passados traumáticos: Grazina sofre de demência, mas por vezes recorda as atrocidades da guerra na Lituânia, como o momento em que implorou aos soldados para pouparem a sua família, e por vezes dorme com uma nota de dólar pendurada sobre a cama. A decisão de narrar o pós-guerra, particularmente através das vidas fragmentadas dos imigrantes, é um ato de resistência contra a indiferença política.

The Emperor of Gladness não é uma história onde os sonhos se realizam. 
Antes, trata-se da honestidade e generosidade que estas personagens conseguem oferecer, e da sua capacidade de se manterem firmes apesar das pressões de uma sociedade implacável, repleta de divisões raciais e políticas. 
Em última análise, a vitória não está em mudanças concretas, mas no modo como constroem uma família escolhida onde são compreendidos por aquilo que realmente são.

A HomeMarket funciona tanto como espaço físico como metafórico — um local onde a vida laboral e o consumo quotidiano se repetem, alimentando a sociedade com comida industrializada e artificial, ao mesmo tempo que o slogan publicitário promete “Dia de Ação de Graças todos os dias do ano.” 

Em termos mais amplos, há muito por explorar em East Gladness enquanto metáfora espacial e tudo o que diz sobre as pessoas comuns enquanto cidadãos entre a esperança e a desilusão: 
“Se procurares a Felicidade e falhares, nos encontrarás. Pois chamam-nos East Gladness, uma terra rebatizada em honra de um rapaz que voltou da Grande Guerra sem pernas e se tornou herói — prova de que se pode perder quase tudo neste país e ainda assim ganhar uma cidade inteira.”

Hai foi criado pela mãe, avó e tia Kim, “mulheres iliteradas poupadas pela guerra no corpo, mas não na mente.” A mãe trabalha num salão de beleza e, segundo Hai, está “presa no nível treze” do Tetris “há mais de um ano.” Ele abandona a universidade e torna-se dependente de drogas. Impulsionado pelas suas ambições frustradas, Hai decide sair de casa, mentindo à mãe ao dizer que foi aceite numa faculdade de medicina em Boston, mentira que a enche de orgulho.

TUDO ISTO É AUTO-BIOGRÁFICO, e aconteceu na vida de Ocean Vuong.
Nasceu Vương Quốc Vinh em 1988, na Cidade de Hồ Chí Minh no Vietname.
É filho de uma mulher vietnamita que não sabe ler nem escrever, nem vietnamita nem inglês, e de um pai norte-americano. 
A avó materna cresceu no interior do Vietname e o avô era um soldado branco da Marinha americana, originário do Michigan. Seus avós conheceram-se durante a Guerra do Vietname, casaram-se e tiveram três filhos, incluindo a mãe de Vuong. 
O avô voltou para visitar a família nos Estados Unidos, mas não pôde retornar quando Saigon caiu nas mãos das forças comunistas. Foi então que a avó separou a sua mãe e tias em orfanatos, preocupada com a sobrevivência delas. 
Fugiram do Vietname depois de um agente da polícia suspeitar que a sua mãe era de ascendência mista, deixando-a propensa à discriminação pelas políticas laborais do regime da época.
Foi com dois anos de idade para um Campo de Refugiados nas Filipinas, com a mãe e as tias, até conseguirem asilo nos EUA, na cidade de Hartford no Connecticut, com seis parentes. 

Vuong, que suspeita que a dislexia é hereditária, foi o primeiro na sua família a aprender a ler e a escrever, aos onze anos. Aos 15 anos, Vuong trabalhava ilegalmente numa fazenda de tabaco e, mais tarde descreveria as suas experiências na fazenda, no seu primeiro romance On Earth We're Briefly Gorgeous.

Estudou no Manchester Community College no Connecticut, e depois foi para a Universidade Pace, em Nova Iorque, para estudar marketing. Ficou lá apenas algumas semanas antes que ele entendesse que "não era para ele" e foi viver como sem abrigo para a estação de comboios por vergonha de voltar para casa sem a licenciatura, o que ia desapontar demasiado a sua mãe. 
Na estação dos comboios, com 19 anos, encontrou um antigo colega da Universidade Pace, que era refugiado como ele, e contou-lhe a verdade e ele disse-lhe que tinha uma avó com demência e que precisava de alguém para ir viver com ela para a ajudar com a medicação e as compras para a casa. 
Vuong foi viver com a avó desse rapaz refugiado lituano, com quem mais tarde se casou, e matriculou-se no Brooklyn College, da Universidade da Cidade de Nova Iorque, onde estudou literatura inglesa do século XIX com o poeta e romancista Ben Lerner, e recebeu o seu M.B.A. em inglês, e recebeu o seu M.F.A. em poesia pela Universidade de Nova Iorque.

Vuong descreve-se como tendo sido criado por mulheres. 
Durante uma conversa com uma cliente da sua mãe, que era manicure num salão de cabeleireiro, manifestou vontade de ir à praia, e pronunciou a palavra “beach” como “bitch”. A cliente sugeriu que ele usasse a palavra “ocean” em vez de “beach”. A Mãe, depois de aprender a definição da palavra "ocean" - o corpo de água classificado mais massivo, como o Oceano Pacífico, que liga os Estados Unidos e o Vietname - passou a tratar o filho por Ocean.

O pai de Vuong, soldado norte-americano, abandonou a mãe quando ele nasceu.
Quando a mãe estava com cancro em fase terminal, Vuong telefonou ao Pai, que vivia em Los Angeles, e ele foi de imediato para se despedir dela ainda em vida. Foi nesse dia que Vuong conheceu o pai, e depois da mãe morrer em 2019, passaram a estar em contacto. 
Vuong escreveu vários poemas dedicados ao Pai.

O poema “DetoNation” é emblemático da contradição que encerra a identidade de Ocean Vuong. O título do poema em si já pode ser traduzido com pouco prejuízo para “DetoNação”. O título funciona como um retrato dos EUA à época da ocupação no Vietname. Uma “Nação” que se identifica facilmente com “Detonação” – “DetoNação”. O primeiro dístico anuncia: “Tem uma piada que acaba com – ãhn?/ É a bomba dizendo aqui está o seu pai”. O pai e a “DetoNação” são associadas e são realmente a pátria do poeta. Tratam-se de dois versos que já nos levam num passeio por uma gama de narrativas no eixo pai-pátria-guerra.
A figura do pai aparece ainda noutros poemas, como em “On Earth We’re Briefly Gorgeous” (“Na Terra Somos Brevemente Deslumbrantes”), título também usado para o seu primeiro romance. Uma estrofe do poema parece retratar violência doméstica e faz mais uma associação com a figura paterna.

Comparado com o primeiro romance de Vuong, On Earth We Are Briefly Gorgeous, The Emperor of Gladness foca-se mais no presente do que no passado, privilegiando as personagens em detrimento de uma única subjetividade narrativa, conduzindo-nos de volta à humanidade através da resiliência e da esperança dos protagonistas.

Filho de mãe vietnamita e pai americano, Ocean Vuong carrega consigo duas grandes heranças. 
A sua poesia revela a contradição de identificar-se com o povo asiático, entender muito de suas tradições e, simultaneamente, ver-se como um homem americano e, mais do que isso, esforçar-se para a sua literatura entrar no rol de obras da tradição americana. A Guerra do Vietname não pode deixar de marcar a narrativa pessoal e a obra do autor e, os seus poemas apresentam estes traços.

Vuong mora em Northampton, Massachusetts, com o seu marido, Peter Bienkowski.


EXCERTOS DO LIVRO:

"The hardest thing in the world is to live only once.

But it’s beautiful here, even the ghosts agree. 
Mornings, when the light rinses this place the shade of oatmeal, they rise as mist over the rye across the tracks and stumble toward the black-spired pines searching for their names, names that no longer live in any living thing’s mouth. Our town is raised up from a scab of land along a river in New England. When the prehistoric glaciers melted, the valley became a world-sized lake, and when that dried up it left a silvery trickle along the basin called the Connecticut: Algonquin for “long tidal river.” The sediment here is rich with every particle welcoming to life. As you approach, you’ll be flanked by wide stretches of thumb-sized buds shooting lucent through April mud. Within months these saplings will stand as packed rows of broadleaf tobacco and silver queen corn. Beyond the graveyard whose stones have lost their names to years, there’s a covered bridge laid over a dried-up brook whose memory of water never reached this century. Cross that and you’ll find us. Turn right at Conway’s Sugar Shack, gutted and shuttered, with windows blown out and the wooden sign that reads WE SWEETEN SOON AS THE CROCUS BLOOM, rubbed to braille by wind. In spring the cherry blossoms foam across the county from every patch of green unclaimed by farms or strip malls. They came to us from centuries of shit, dropped over this place by geese whenever summer beckons their hollow bones north."

“Because to remember is to fill the present with the past, which meant that the cost of remembering anything, anything at all, is life itself. We murder ourselves, he thought, by remembering. The idea made him sick. And without knowledge of his own legs moving beneath him, he crossed the hall to his bedroom, fished the contact lens case from his jacket pocket, and, having been sober for forty-seven days, tossed the Perc and codeines back in one gulp, then returned to where Grazina lay slumped in the jeep. “Good night,” he said, but then saw her lips moving. “What’s that?” He crouched down. “I said…” She swallowed and blinked. “We made it.” “We made it?” he asked.”


“Okay.” Hai nodded, but his mind was somewhere else. “Hey. Do you think a life you can’t remember is still a good life?” The question sounded almost silly aloud. “I mean, like—” “Yes,” said Sony. “Why’s that?” “Because someone else will remember it.”

“To be alive and try to be a decent person, and not turn into anything big or grand, that's the hardest thing of all. You think being president is hard? Ha. Don't you see that every president becomes a millionaire after he leaves office? If you can be nobody, and stand on your own two feet for as long as I have, that's enough. Look at my girl, all that talent and for what, just to drown in Bud Light?" [...] "People don't know what's enough, Labas. That's their problem. They think they suffer, but they're really just bored. They don't eat enough carrots.”

“You see, carrots become bright orange because it’s so dark in the ground. They make their own light because the sun never reaches that far—like those fish in the ocean who glow from nothing? So when you eat it, you take in the carrot’s will to go upward. To heaven.”

“How strange to feel something so close to mercy, whatever that was, and stranger still that it should be found in here of all places, at the end of a road of ruined houses by a toxic river. That among a pile of salvaged trash, he would come closest to all he ever wanted to be: a consciousness sitting under a light-bulb reading his days away, warm and alone, alone and yet, somehow, still somebody's son.”

“The prisons and madhouses have locked them up, so you think you’re the only one out there losing your mind when in fact there are many like you, trapped in this supposedly free world of work and sleep and endless fucking cakes.”

“What good is beauty, any beauty, if nobody wins?”

“Words cast spells. You should know this as a writer. That's why it's called spelling, Labas.”

“But where was she going? She was going to a place where freedom is promised yet made possible only by a contained egalitarian space fashioned with walls and locks, where measured nourishment is delivered each day through long corridors by staff born from a never-ending elsewhere who forgo watching their own children grow up in order to watch strangers grow old, all this to keep you alive so they can suck up money from your bank account while you’re warm, immobilized by tranquilizers, and satiated and numb, a body ripe for harvest even beyond ripening. She was heading to America after all. The truest version of it. The one where everyone pays to be here.”

“You say I'm so smart, right? Cause I went to college and all that? Then listen to me." He put both hands on Sony's shoulders. "Most people are soft and scared. They're fucking mushy. We are a mushy species. You talk to anybody for more than half an hour and you realize everything they do is a sham to keep themselves from falling apart. From prison guards to teachers, to managers, psychiatrists, even fathers, anybody - even your stupid generals. People put on this facade of strength. They act like they have a purpose and a mission and their whole life is supposed to lead to this grand fucking thesis of who they are.”

“He wanted too much of one feeling—and I guess his heart gave out because of it. I don’t think we’re made to hold too much of any one thing.”

“Somebody goes ahead and dies and all of a sudden you become a box for them, he thought, you store these things that no one has ever seen and you go on living like that, your head a coffin to keep memories of the dead alive. But what do you do with that kind of box? Where do you put it down?”

“It was one of those friendships that came on quick, like the heat on a July day, and long after midnight you could still feel its sticky film on your skin as you lie awake in your room, the fan blowing in what remained of the scorched hours, and realize for the first time in your peep of a life that no one is ever truly alone.”

“So on summer evenings, when summer finally came, and the full moon lit the fields so silver, you could squint and it would still look just like it did after snowfall. On those nights, Noah and I would run together through the tobacco, like this. And there was this mighty clear sky full of stars that made you stop and look up, you head empty as a ladle as you tried to locate yourself inside an immeasurable universe. And no one knows where you are and you feel, for a tiny second, that you have no parents, that they never existed at all, which is impossible and shameful to love, but I did. I loved that feeling.”

“People aren’t so bad. They’re just wounded little kids trying to heal.
And that makes them tell each other stupid stories," he said softly.”

“The boys had this way of knowing what the other was thinking without ever using words. "Because it's like that when you're fourteen," he said. The superpower of being young is that you're closest to being nothing - which is also the same as being very old.”

“What you see might not always be what you feel. And what you feel may no longer be real.”

“Look, I have it too. It's just like the weather. Like clouds and rain and stuff. They go away. But some of us spend more time in London, you know? Or Seattle. You're just raining right now.”

“Listen here, this country," she lowered her voice, "was purposefully built on war. The reptilians shape-shift into politicians and celebrities, then use these puppets to start wars so they never run out of bad energy to consume. Don't you get it? War is fertilizer for their crops.”

“With money I earned by myself, I gave my daughter a room just so she can read in peace for a day. And I sat there and watched her read, sipping a scotch from the bar. And I cried like a baby. And Lina, my little Lina, she said, 'Mama, why are you crying?' And I said, ' I know how God feels now.”

“At one point Hai opened the window to let the spring in, and it seemed to lift everyone inside, their heads leaning back to relish the sweet-scented flourish. Only in springtime, it seemed, does gravity work backward here, the dandelion pollen rising in great squalls, the flower buds shooting up, further from the ground, as if pulled by the sky's sudden need for them, all of it under the crisp brilliance of April sunlight. Watching this, Hai felt himself displaced by a wild, untenable gratitude.”

“How is it that we have become so certain that the sight of years, the summation of decades, should inflict such violence on the viewer - including family - that we have built entire fortresses to keep such bodies out of sight?”

“Everything else, what I do, what I've done, the goals and the promises, they're all, like, ghosts. For most people, their ghost is inside them, waiting to float out when they die. But my ghost is in pieces." He pointed with his chin at the scattered trees. "It's all over the place, caught in all the spots where I snagged myself.”

“How strange to feel something so close to mercy, whatever that was, and stranger still that it should be found here of all places, at the end of a road of ruined house by a toxic river. That among a pile of salvaged trash, he would come closest to all he ever wanted to be: a consciousness sitting under a lightbulb reading his days away, warm and alone, alone and yet, somehow, still somebody's son.”

“No one in his life knew he had such a friend until now, until Sergeant Pepper told her. Somebody goes ahead and dies and all of a sudden you become a box for them, he thought, you store these things that no one has ever seen and you go on living like that, your head a coffin to keep memories of the dead alive. But what do you do with that kind of box? Where do you put it down?”




sexta-feira, 23 de janeiro de 2026

Modern Love



Thinkstock




 And what is love? It is a doll dress’d up
For idleness to cosset, nurse, and dandle;
A thing of soft misnomers, so divine
That silly youth doth think to make itself
Divine by loving, and so goes on
Yawning and doting a whole summer long,
Till Miss’s comb is made a pearl tiara,
And common Wellingtons turn Romeo boots;
Then Cleopatra lives at number seven,
And Antony resides in Brunswick Square.
Fools! if some passions high have warm’d the world,
If Queens and Soldiers have play’d deep for hearts,
It is no reason why such agonies
Should be more common than the growth of weeds.
Fools! make me whole again that weighty pearl
The Queen of Egypt melted, and I’ll say
That ye may love in spite of beaver hats.


 John Keats




The Psychology of Dating Your Type and Why It Holds You Back

 


How to understand 
your relationship patterns and 
stop repeating them.



If dating your “type” worked, it would have worked by now.

You’d be in a relationship, or at least not stuck repeating the same pattern with a different partner.

Maybe you feel like you, 
  1. “can’t fake chemistry,” 
  2. “know what I like,” 
  3. “only click with certain types of people,” 
  4. “trust my gut,”  
  5. “I’m just wired this way.”

I’ve heard them all from clients. 
Every single one is an excuse. 
They’re all ways to justify current behavior. All they’re saying is, 
“I like what I already know and am not willing to change.” Or more simply, “I have a ‘type’ and I’m sticking to it.”

How’s that working out for you? 
If it was going to land you in an amazing relationship (that actually lasted), shouldn’t it happened already?

And the most important question of all, that people should REALLY be asking, 
“Is dating your type really what’s best for you?”

At some point, “the heart wants what it wants” starts to sound a lot like the definition of insanity: 
Doing the same thing over and over and expecting different results.

Here’s the harsh truth: 
Your nervous system isn’t optimized for long-term happiness. 
It’s optimized for what feels familiar (which feels safe). 
Sometimes, what’s familiar is actually toxic.

Focusing on your “type” can not only direct you to the exact wrong person, but it also makes it harder to notice the right person when they show up.

All of which leaves you stuck, alone, or both. 

  • How your “type” quietly forms, and why it’s usually a comfort pattern, not real compatibility.
  • The psychological reason chemistry and “sparks” can be a red flag rather than a green one.
  • How your type narrows your dating pool and creates tunnel vision without you realizing it.
  • Why surface-level traits create false positives and keep leading to the same disappointing outcomes.

1. Are You Choosing Partners or Repeating Patterns? 
The Toxic Familiarity Trap

A “type” is a preference, but ironically that people seem to believe they don’t have much choice about. Psychologically, it’s more accurate to call it a subconscious comfort zone.

Your “type” is familiar, predictable, and emotionally recognizable.

That doesn’t mean it’s helpful.

We often confuse familiarity with safety. 
But what feels familiar relies on your previous experiences, even when those experiences were unhealthy. When previous relationships were chaotic, distant, or unfulfilling, that’s what feels typical. That’s toxic familiarity, or the tendency to seek out or tolerate emotional patterns that feel normal, even when they hurt.

Dysfunction matches expectations, so it feels “right” and your nervous system feels comfortable. 
More than that, disruption feels like a necessary condition for sparks. What you call chemistry, butterflies, or “clicking” with someone may not be attraction at all, it may be your body registering uncertainty, fear, or emotional risk. That adrenaline rush doesn’t mean “they’re the one.” It often means “this feels familiar.”

2. What You’re Looking For Is Hiding What You Need

Focus is powerful determinant of your future. 
When you feel like you know what you want, you get hyper-focused on blocking out distractions.

“Life” isn’t one absolute or predetermined thing.

“Life” is where you focus your energy, your attention, and love.


In some contexts that’s helpful. 
But in dating, that focus has a downside: inattentional blindness. 
In a well-known psychology study, participants counted how many times a basketball was passed between players. Most people were so focused on the counting task that they completely miss a person in a gorilla suit walking through the scene. While that seems impossible, it demonstrates the power of focus.

Looking for one thing, forces you to not see something obvious. 
When you only look for one type of romantic partner, you miss everyone else.

Your tunnel vision lies to you by making other options invisible.

When you do notice them, the emotionally steady person feels boring. The kind person feels like there’s “no spark.” The secure person gives off “friend vibes.”

What you’re missing may be exactly what you need.



3. “I Know What I Like”: A Case Study in Self-Sabotage


There’s another, less romantic, way to look at your “type.”

A “type” is really just a rigid set rules. 
Worse, they’re a collection of “must-haves” that we’re not even sure leads to long-term relationship success.

Quick story…recently I met a single guy who is in his late 50’s and living in New Jersey. When he found out that I research relationships, he started telling me about his love life (this happens ALL THE TIME).

Really, what he wanted to do was complain. His main grievance was that there were “no good people left to date.”

Skeptical? You should be.

He explains that he has a type just like anyone. 
I asked him what his “type” was. 
Here’s what he said: between 5’8” and 5’11”, Italian looking, athletic (not too skinny or overweight), no kids, successful, family oriented, lots of free time to travel (he was retiring soon).

I could see his issue immediately. 
His “type” was a unicorn, fun to imagine, unlikely to exist.

Was he justified in wanting a partner to have any one of those qualities individually? Absolutely.

Each, by itself, was reasonable. But the combination was killing his chances of finding love. 
Finding someone who simultaneously is family oriented, but doesn’t have kids is hard. 
Similarly, successful people are often that way because they work a lot, making having a lot of free time difficult.

In other words, he was narrowing the field so much that connection becomes statistically rare or practically impossible. He was failing at dating not because of lack of options, but because he was filtering himself out of opportunities.

I authentically wanted to help this guy, so I said, 
“that all sounds great, but it’s a tough combo.” His response? 
“I know what I like and can’t fake chemistry. I’m not going to settle for someone who’s not my type.”

As an outsider, the solution is obvious….ditch the type.

4. The Problem With Your Type: It Optimizes for Attraction, Not Happiness

Take a quick look back at how that guy described his type. 
A LOT of it is actually pretty superficial.

You could chalk it up to men being kinda gross and obsessed about looks. But that’s not really fair (or accurate). Everyone cares about their romantic partner’s appearance and attractiveness. For some it’s about an athletic build or height, while for others it’s about facial hair, tattoos, piercings, a “bad boy” or “good girl” look. We also care about how much money someone makes, how successful or high-status they are, or what stuff they have (houses, cars, watches, shoes, number of followers on Instagram, etc.).

The big problem, is that most “my type” traits are surface-level, appearance-based, and dopamine-driven. Remember, dopamine isn’t actually about happiness, it’s about pursuit and anticipation (Are you a dopamine dater?).

Dopamine fuels wanting, not fulfillment.

Those “my type” qualities don’t have anything to do with long-term relationship fulfillment. 
Instead, “type” favors chemistry over authentic compatibility.

However, if you define your “type” as someone who is kind, caring, and supportive, while making you feel seen, heard, and understood, I’m fully endorse you using your “type” to direct all future relationship decisions. Unfortunately, that’s not how anyone defines their “type.”

5. Your “Type” is a Relic

There’s a reason why your “type” isn’t a collection of high character characteristics (and it’s something no one considers).

You established your type at the wrong time in your life.

You likely found your type early in your dating history. Back then, you didn’t know yourself very well (or at least not as well as you do now). You had limited experience. You didn’t know what when into a great relationship. You were more unsure of yourself, and unfortunately willing to accept less.

And sometimes, your type is a “fixer-upper” or “project partner” because at that time you needed something to do, someone to fix, chase, prove yourself to, or feel needed by. The emotionally unavailable partner. The mysterious one. The standoffish one. The one who needs work. Each type, takes the emphasis off of you and your issues. That worked back then, and may have served a purpose.

However, your needs have changed. 
Your values have shifted. 
Your boundaries have improved. 
Your standards in other areas of life have evolved.
 
So why should what you were drawn to back then still dictate your choices now?

Researchers refer to this as cognitive entrenchment, mental rigidity that makes it hard to update beliefs even when evidence suggests they’re no longer serving you (Dane, 2010). 
When you frame it that way, your type starts to look a lot less romantic, and a lot more stubbornly useless.

6. Your “Type” is a Convenient Default: Why Most People Aren’t Really Choosing at All

Finding a partner is hard. 
Sorting through the options, meeting people, having awkward conversations, and waiting to see if it was all worth it takes a lot of effort.

No one wants dating to feel like work, so they wing it. 
Most people don’t date with any strategy. They’re not intentional and instead leave it up to the other person, or to fate. That might sounds romantic, but it’s actually reckless.

That’s because your “type” determines your dating pool. 
You may think you’re a “bad picker” but if you consistently choose from the wrong pool, you’ll consistently get bad results.

A business can’t be successful if they hire from a terrible applicant pool. 
Dating works the same way.

That’s good news, because it’s one of the few parts of dating that’s actually under your control.


Conclusion
If what you’re doing worked, it would have worked by now. 
Breaking up with your type might be the most productive dating decision you ever make.



Dr. Gary W. Lewandowski Jr.

domingo, 18 de janeiro de 2026

Prayer for an Invitation






 I pray for you, world
to come and find me,
to see me and recognize me
and beckon me out,
to call me
even when I lose
the ability to call on
you who have searched
so long for me.

I pray to understand
the stranger inside me
who will emerge in the end
to take your gift.

I pray for the world
to find me
in its own wise way.

I pray to be wanted
and needed
by those I have
learned to love
and those
I must learn to love.

I pray to be wanted
and needed
by those I cannot
recognize
in my self-imposed
aloneness.

And
I pray to be wanted
and needed
by those
I wish to be wanted by.

But I acknowledge
the power of your beautiful
disguise, and I ask
for the patient heart
of all things
to understand
the uncertain, abiding
and intimate invitation
in my fear of leaving,
in my fear of arriving,
in my fear of taking your hand
to follow
that hidden, difficult
and forever beckoning way.


David Whyte
in, The Bell and the Blackbird 



Jung’s Brutal Insight: If You Feel Lonely and “Unneeded,” It’s Not Because You Don’t Matter







Most people who feel lonely believe the same quiet lie.

“If I mattered more, someone would need me.”

They don’t say it out loud.
They don’t even fully admit it to themselves.

But it shows up everywhere:

  • Over-giving in relationships
  • Staying useful instead of being honest
  • Saying yes when their body screams no
  • Feeling invisible the moment they stop helping

Loneliness, in this form, isn’t loud.
It’s heavy.
It’s humiliating.
And it slowly convinces you that your existence only has value when it’s useful to others.

Carl Jung would say something chilling here:

This kind of loneliness is not caused by lack of importance—but by a fractured relationship with the Self.

And that changes everything.



The Lie That Keeps You Trapped
Modern culture teaches a seductive equation:

Being needed = being valuable

So you become indispensable.

The reliable one.
The emotional support.
The fixer.
The one who always replies fast.
The one who never asks for too much.

And yet—
the more needed you become, the lonelier you feel.

This is the first psychological paradox Jung warned about:

When your identity is built on being needed, you are never truly seen—only used.

Not maliciously.
Not intentionally.
But inevitably.

Because need is not intimacy.
And usefulness is not connection.

Jung’s Uncomfortable Diagnosis
Jung believed that the deepest loneliness doesn’t come from being alone.

It comes from living in a persona—a mask designed to secure belonging.

  • The “good daughter.”
  • The “strong friend.”
  • The “low-maintenance partner.”
  • The “always helpful colleague.”

You think this mask protects you from abandonment.

In reality, it guarantees it.

Because the world cannot need you
if it has never met you.

So when people drift away, you don’t just feel sad.
You feel erased.

And that’s where the panic begins.

A Case Jung Would Instantly Recognize
Let’s call her Emily.

Emily is admired. Trusted. Appreciated.

She’s the person everyone calls during a crisis.
The one who remembers birthdays.
The one who listens without interrupting.

But when Emily stopped initiating for a few weeks, something terrifying happened.

No one checked in.

She wasn’t abandoned.
She simply disappeared from the emotional map.

And her first thought wasn’t anger.

It was this:

“Maybe I was only useful. Maybe that’s all I am.”

Jung would call this a collapse of the false self.

Painful—but necessary.

The Brutal Insight Most People Resist
Here is Jung’s most disturbing truth:

Feeling “unneeded” is often the first sign that your soul is demanding a more authentic life.

Loneliness appears not to punish you—
but to interrupt a life built entirely around external validation.

When you stop being needed, the psyche forces a terrifying question:

If I am not useful… who am I?

Most people run from this question.

They rush to become helpful again.
Busy again.
Indispensable again.

And the loneliness deepens.

Why This Phase Feels So Anxious
This is where the fear spikes.

Because being needed gives you certainty.
Being authentic gives you nothing—at first.

No guarantees.
No applause.
No immediate belonging.

Jung called this stage the desert of individuation.

You are no longer who you pretended to be.
But you are not yet who you are becoming.

And the loneliness here is sharp.

But it is also honest.

The Cognitive Reversal That Changes Everything
Here is the reversal most people never reach:

You are not lonely because no one needs you.
You are lonely because you were never allowed to exist without being needed.

When you stop performing usefulness, something extraordinary happens—slowly.

The wrong connections fall silent.
The transactional relationships dissolve.
The emotional parasites lose interest.

And then—unexpectedly—

Someone stays.

Not because you help.
Not because you fix.
Not because you give.

But because you are.

That is real belonging.
And it cannot be rushed.

Jung’s Final Warning—and Promise
Jung warned that people who avoid this loneliness pay a higher price later:

  • Chronic emptiness
  • Resentment
  • Emotional burnout
  • A life that looks full but feels hollow

But he also offered hope:

“Loneliness does not come from having no people about one, but from being unable to communicate the things that seem important to oneself.”

The moment you stop trying to be needed,
you begin the terrifying, liberating work of being known.

And that is when loneliness—finally—starts to loosen its grip.




Zenya
in, Light of Mindfulness



sexta-feira, 16 de janeiro de 2026

Sharing the Grail







 When we arrive, and sooner
than we think, at that final goodbye
we seem to have anticipated so clearly.

When we arrive at the place
we have understood until now,
only through distance.

When we sit at the bedside
of the loved one as if sitting
by a well where we drink
from the source of all memory;

when we sip together from the grail
of that common memory
and we taste an essence
of love from that memory
that until now we could never fully say,

we are getting ready to be ready
to give the goodbye
we came all along to give.

And if our faith
and the vulnerability
of that faith,
and the wounded
nature of that faith
is felt finally and fully
at the side of that well,
we find ourselves
speaking completely and utterly
the love that we thought had
turned only to memory.

So that after the words
of goodbye are said
everything around us
in the quiet room
and everything spreading
out from the room
becomes like the well itself,
holding the same sacred water,
which is never just still water,
but a hidden flow always arriving,

a never-ending invitation
to drink from the depths,

and perhaps, most of all,
an invitation to somehow rest
in those depths: to rest in that love
that you spoke and they heard,

to wave confusion goodbye,
as you enter
the hallway of presence,
to accompany them
as you always
wanted to accompany them,

and then, to bring everyone
they loved with you,
those you have loved too
and even, those you tried to
and could not,

and then, to make room
inside you, for every single guest.

And above all to be generous now,
as you pass around the grail
of water, saying,

‘This will do.
For now and for eternity.’


David Whyte
in, Still Possible




Trauma Survivors vs. Trauma Creators

Freepik



 

Part I: The Structure of Impact
Every act of harm leaves two stories in the nervous system: 
The story of what it meant to the one who felt it, and 
The story of what it failed to mean to the one who caused it. 

Between those two stories lies the entire landscape of human morality. 
One side records sensation, shock, and the slow reconstruction of self; 
the other records nothing but the continuation of control. 

When we call this difference pathology, we reduce it to clinical vocabulary, but it is more than that. 
It is the biological division between those who can metabolize pain and those who must externalize it to survive their own emptiness.

Trauma survivors live inside a body that has registered every fragment of threat. 
Their cells remember pressure, tone, and timing; their amygdala carries a library of moments when they could not defend themselves. 

To recover, they must return to these sensations and reassign them to the past. 
Healing is a dialogue between cortex and limbic system, between reason and terror, between what happened and what can now be remembered safely. 
The process is painful precisely because it involves re-experiencing reality.

The narcissistic system follows a different rule. 
It does not metabolize what it feels; it projects what it cannot bear. 

The internal signal that should generate reflection is immediately sent outward as accusation or control. What should have become remorse becomes manipulation, 
what should have become grief becomes strategy. 

The energy of pain is never digested; it is displaced. 
In this sense, the narcissistic mind does not simply avoid trauma, it exports it. 
It makes others carry what it cannot contain.

Every survivor of such a system knows this implicitly. 
They sense how a single person’s refusal to feel can become a contagion that reorganizes an entire environment around silence. 

In families, it becomes the rule of obedience; 
in institutions, it becomes the culture of fear. 

The one who causes harm dictates the emotional temperature of everyone else, and those who feel are labeled unstable for reacting. The nervous systems of the empathic become instruments for maintaining the equilibrium of the unfeeling.

From a neurological perspective, this is a form of imposed regulation. 
The survivor’s vagus nerve adjusts its tone not to personal safety but to the mood of the narcissistic authority. The amygdala learns that calm in the oppressor equals safety, even when that calm is cold or punitive. 
Over time the survivor’s own internal cues become unreliable; they stop trusting their instincts because their instincts once endangered them. 
This is how psychological captivity is maintained, not through chains but through conditioned physiological submission.

The narcissistic system, meanwhile, experiences this submission as validation. 
The absence of resistance feels like proof of control, and control is the only language it knows for connection. In moments of confrontation, when the survivor’s body finally rebels and speaks through trembling or tears, the narcissist interprets this as weakness rather than truth. Their brain, wired for dominance, reads emotion as threat and immediately deploys cognitive defenses to restore superiority. 
In this way, every genuine expression of feeling becomes further evidence, in their mind, of their own strength.

This is the structural asymmetry of impact: 
one system feels and transforms, 
the other manipulates and repeats. 
The first uses experience to deepen consciousness; 
the second uses experience to reinforce image. 

  1. The survivor’s nervous system becomes a workshop of integration, piecing together fragments of time until continuity returns. 
  2. The narcissist’s nervous system becomes a factory of repetition, producing identical narratives that ensure nothing is learned. One becomes more human through suffering; the other becomes less.

The tragedy, and the misunderstanding, is that society often admires the calm of the unfeeling and doubts the trembling of the empathic. We have learned to equate composure with credibility, even when that composure is born of neurological detachment. Yet if we looked closely, through the lens of functional imaging, through the wisdom of psychoanalysis, we would see that the survivor’s shaking is the sign of a system reentering life, while the narcissist’s serenity is the sign of a system frozen in perpetual denial.

To study trauma and narcissism together is therefore to study two forms of adaptation: 
one that preserves humanity through pain, and 
one that destroys it through avoidance. 
The survivor rebuilds the bridge between feeling and thought; 
the narcissist demolishes it to keep the fortress intact. 
Both claim self-protection, but only one protects life.

When we begin to see this clearly, moral confusion dissolves. 
The survivor’s suffering is not evidence of weakness but evidence of capacity. 
It is the proof that their consciousness still responds to truth. 

The narcissist’s composure is not mastery; it is anesthesia. 
It is the price of maintaining power without ever touching love.

Part II: The Dynamics of Power: NPD as Defense Against Powerlessness
Powerlessness is the origin that every psyche must confront, yet only some have the courage to feel it. For the infant, for the child, for the early self awakening into a world that can nourish or neglect, helplessness is not a choice but a fact of existence. The developing brain depends entirely on the presence of an attuned other to translate distress into safety. When that translation fails, when fear is met with humiliation, when need is answered with withdrawal— the mind faces a dilemma too early for words. It can either remain open and endure the terror of vulnerability, or it can close and build an identity around control.

The narcissistic adaptation chooses the latter. 
It organizes its entire existence around the prevention of helplessness. 
Where the healthy psyche learns to oscillate between autonomy and dependence, the narcissistic psyche freezes the system at one pole —omnipotence. It constructs an inner mythology in which to need is to die, and to dominate is to live. Every gesture, every word, every relationship becomes a performance designed to maintain this illusion.

In neurobiological terms, this is the chronic activation of the stress–reward loop. 
The amygdala, sensitive to any cue of shame or criticism, signals danger; dopamine pathways in the ventral striatum reward the restoration of superiority. Control becomes chemically reinforcing, a kind of internal drug that quiets the faint memory of dependency. Each episode of triumph — winning an argument, withholding affection, rewriting truth, releases a pulse of relief through the same circuits that, in healthy systems, are activated by genuine connection. The narcissist learns to substitute domination for intimacy, validation for love, obedience for belonging.

This substitution explains why remorse is impossible within the narcissistic framework. 
To acknowledge harm would mean admitting that others are real, that they possess inner worlds beyond control. Such recognition would reactivate the original helplessness that the entire personality was built to avoid. The brain, therefore, defends itself by reversing causality: if pain exists, someone else must have caused it; if conflict arises, someone else must be at fault. Projection becomes the primary form of self-preservation. The narcissistic individual survives by transforming vulnerability into accusation.

Psychoanalytically, this is the triumph of the defense over the self. 
The superego, instead of guiding conscience, serves the false self as its guardian, punishing any trace of tenderness as weakness. The ego becomes a director orchestrating performances for the external world, while the inner child, the original, powerless consciousness… is locked away behind layers of grandiosity and contempt. The entire psychic economy revolves around one principle: never again to feel small.

In this economy, power is not an instrument; it is oxygen. 
Without control, the narcissistic structure experiences suffocation. This is why ordinary situations that evoke humility or cooperation feel intolerable: being corrected, being empathized with, even being loved sincerely — all of these experiences threaten to expose the hidden dependency beneath the performance. The nervous system responds with panic disguised as irritation or superiority. It floods the body with stress hormones until dominance is restored. Only then does the organism feel calm, not because peace has returned, but because the illusion of autonomy has been preserved.

Over years, this pattern solidifies into identity. 
The brain’s Default Mode Network, responsible for self-referential processing, becomes the center of gravity. Every experience is interpreted through the lens of “How does this affect my image?” rather than “What does this mean about reality?” The narcissistic person lives in a continuous state of self-monitoring, policing perception, rewriting memory, and curating reactions. It is a closed loop with no entry point for truth.

What makes this defense dangerous is not merely its rigidity but its contagiousness. 
Power, in its pathological form, demands witnesses. It requires others to validate the illusion by conforming to it. Thus the narcissistic system recruits the empathic as emotional regulators, assigning them the task of maintaining its stability. When the survivor tries to speak truth, the narcissist experiences this as mutiny, because truth destabilizes control. 
The punishment that follows… gaslighting, withdrawal, humiliation, is the neurological equivalent of an immune response, an attempt to destroy the stimulus that awakened feeling.

Within this cycle, both nervous systems are enslaved: 
one by fear of losing control, the other by fear of losing connection. 
The survivor’s body interprets surrender as safety; the narcissist’s body interprets surrender as triumph. One seeks peace through yielding, the other through conquest. 
The asymmetry is total, yet both are sustained by the same biological principle: 
the avoidance of helplessness. 
The difference is that the survivor learns to confront that helplessness in healing, while the narcissist remains defined by its denial.
It is tempting to view this dynamic as a contest of strength, but strength is the wrong word. 
The narcissist’s rigidity is not strength but the absence of inner movement. 
The survivor’s trembling is not weakness but the presence of inner life. 
Power, in its pathological form, is the refusal to feel. 
True strength is the capacity to remain open while feeling everything.

When seen through this lens, the narcissistic pursuit of dominance is not a variation of human ambition but a defense against the very essence of humanity. It is an evolutionary dead end in moral development, a system that survives by preventing growth. The survivor, though shattered, continues to evolve; the narcissist, though composed, remains static. One body carries the history of suffering toward consciousness; the other carries the history of avoidance toward destruction.

This is why the study of trauma and power cannot remain neutral. 
To describe the narcissistic defense without moral context is to mistake paralysis for peace. 
Power, when used to erase another’s subjectivity, is not adaptation; it is corruption. 
The narcissistic system may appear unbroken, but its very perfection is the evidence of decay. 
The survivor, with all their trembling, is the one still capable of becoming whole.

Part III: Why Narcissistic Systems Create Trauma Instead of Metabolizing It
A nervous system that cannot process pain will eventually distribute it. 
This is the law of emotional physics that governs every closed psyche. 

Energy denied must move outward; what the narcissistic structure refuses to feel, it forces others to experience. The very mechanism that protects the ego from collapse becomes the engine of cruelty. It is not sadism in the classic sense, though at times it looks identical. 
It is the externalization of an unbearable interior silence.

When the narcissistic individual encounters dissonance — criticism, loss, accountability, the brain reacts as if facing existential threat. 

The amygdala registers humiliation as danger, while the prefrontal cortex rushes to rewrite the narrative. 

Because the false self cannot admit error without dissolving, it converts reality into opposition. 
Someone must be wrong for the self to remain right. 
Someone must be punished for the illusion of order to persist. 
The process happens faster than reflection; it is reflex, not reasoning. 
Every uncomfortable truth becomes an accusation to be neutralized.

In this conversion lies the seed of trauma creation. 
Instead of metabolizing emotion through the integrative circuits of empathy and memory, the narcissistic brain projects the unprocessed affect into its environment. 
The emotion leaves the body disguised as behavior— criticism, gaslighting, withdrawal, or domination. Each act transfers the unbearable feeling of smallness onto another human being, demanding that they now contain it. The survivor becomes the repository of the narcissist’s disowned terror.

Neuropsychologically, this dynamic functions as a transfer of arousal. 
The aggressor’s nervous system stabilizes by inducing dysregulation in the victim. 

When the survivor flinches, cries, or retreats, the narcissist’s physiology relaxes. 
The body that could not tolerate inner chaos finds calm in outer control. 
It is a parasitic regulation pattern, a theft of equilibrium. 
The calmer the abuser feels, the more disoriented the survivor becomes. 
In laboratories, this would be described as limbic contagion; in lived experience, it feels like soul erosion.

Over time, this cycle produces entire ecosystems organized around one person’s avoidance of shame. Families, teams, institutions begin to orient themselves to the moods of the narcissistic core. Silence becomes the shared language; appeasement becomes survival. The group unconsciously replicates the same neurophysiological hierarchy: those closest to the source of control absorb the most dysregulation, those furthest away mistake the absence of conflict for harmony. The system evolves not toward truth but toward suppression.

The tragedy for the empathic is that their own sensitivity becomes the conduit through which this transference operates. Their mirror neurons, designed for connection, register the narcissist’s unspoken anxiety and attempt to soothe it. They lower their voice, question their perception, soften their boundaries. Each gesture of compassion temporarily calms the aggressor’s limbic system, reinforcing the cycle. The survivor’s empathy becomes both the anesthetic and the evidence: the more they care, the less the narcissist needs to.

Psychoanalytically, this is repetition compulsion enacted not within a single psyche but across two bodies. The narcissist re-creates the original scene of helplessness by reversing roles—now they are the one who cannot be hurt, and the other must carry the helplessness instead. 
The survivor, sensing danger, performs appeasement in the hope of restoring peace. 
Both are trapped in a choreography dictated by unintegrated affect. 
Only one will later call it trauma.

From a moral and neurobiological view, this pattern explains why narcissistic structures generate rather than experience trauma. Their defense eliminates the feedback loops that make remorse possible. The anterior cingulate cortex, which mediates empathy and error detection, remains under-activated; the insula, which translates bodily feeling into emotional awareness, remains muted. Without these circuits engaged, the individual cannot register another’s distress as information about themselves. The result is not ignorance but indifference encoded in neural architecture.

To the survivor, this indifference feels like spiritual violence. 
It is not merely that the abuser does not care; it is that they cannot be reached by reality. 
  • You speak and they hear accusation, 
  • you cry and they see manipulation, 
  • you tell the truth and they perceive attack. 
Their interpretation of the world is self-referential by design. It is not a flaw to be corrected; it is the scaffolding of their existence.

Because this system cannot metabolize pain internally, it must perpetuate it externally. 
Control replaces curiosity; 
domination replaces dialogue. 

The narcissistic person does not learn from consequence, because consequence is instantly reframed as injustice. Each repetition reinforces the neural groove of denial, until cruelty feels identical to self-protection. The mind becomes a closed ecosystem where empathy would be an invasive species.

From the perspective of evolution, this is regression. 
The capacity for shared feeling, the biological root of cooperation and moral life, is suspended in favor of primitive territorial reflexes. The narcissist’s calm is the predator’s stillness before strike, the brain’s efficient conservation of energy for control. In social terms, it is civilization wearing the mask of empathy while operating on the logic of dominance.

And yet, for all its destructiveness, 
this pattern reveals a profound truth about trauma itself: 
pain that is not felt does not disappear; 
it changes form. 
It travels through generations, relationships, and institutions until it finds a body willing to feel it. Survivors are often those bodies. 
They become the point of contact where humanity re-enters the cycle. 
Through their breakdown, the disowned emotions of entire systems find a voice.

That is why the narcissistic structure cannot exist without its empathic counterpart, it requires a carrier for the pain it refuses to metabolize. 
Yet the survivor’s work is not to redeem or repair the system that harmed them. 
Their healing belongs solely to themselves. 
The same sensitivity that once absorbed another’s chaos becomes, in recovery, the force that restores coherence within their own body. 
What was once exploitation becomes reclamation.

Part IV: The Survivor’s Capacity to Feel as Sacred — The Willingness to Break
Every civilization begins and collapses on the same frontier — the capacity to feel. 
When that capacity is lost, cruelty becomes procedure; when it is restored, empathy becomes law. 
The individual nervous system mirrors this collective truth. 
A single body that can feel its pain without transmitting it outward performs the smallest, most radical act of moral evolution.

Survivors, in their trembling, carry that evolution forward. 
Their bodies, often against their will, reopen the circuits that the aggressor closed. 
Each flash of memory, each surge of emotion, each night of sleepless vigilance is not regression but repair… the re-entry of consciousness into matter. To break is to let the truth back in. 
The collapse that once felt like annihilation is, in biological language, reintegration: 
The limbic system learning that the danger has ended; 
the prefrontal cortex reclaiming the power to name what happened. 
The shiver of fear is the same current through which awareness travels.

In trauma healing we speak of regulation, but what is being regulated is not only emotion, it is meaning. The survivor’s nervous system, long enslaved to the moods of others, begins to turn inward. It listens for signals of its own aliveness: a slow breath, a pulse that steadies, a thought that no longer needs permission to exist. These are minute neurological revolutions. Where the narcissistic brain maintained stability through avoidance, the survivor’s brain begins to find stability through truth. The amygdala no longer dominates the conversation; the hippocampus expands, sequencing time again, allowing the past to become story rather than atmosphere. Memory gains boundaries, and the self begins to occupy space.

Psychoanalytically, this is the return of the subject. The self that had been reduced to an object of another’s control reclaims its voice as narrator. Through speech, art, therapy, or silence that finally belongs to them, survivors translate sensation into symbol. In that translation lies freedom. To symbolize is to choose, and choice is the essence of restored agency. The narcissistic structure, frozen in its need for control, cannot symbolize; it can only reenact. The survivor, by daring to feel, transforms repetition into revelation.

There is something sacred in this willingness to break. 
It is the moment when the psyche, having been shattered by harm, chooses to remain porous rather than harden. It allows the raw materials of grief, rage, and love to coexist until they form understanding. In religious language this might be called forgiveness, though it is not the pardon of the perpetrator, it is the reconciliation of the self with its own capacity for feeling. The body that once collapsed in terror now bows in recognition of life returning.

From the perspective of neuroscience, such moments correspond to the quieting of limbic hyperarousal and the strengthening of prefrontal-limbic connectivity. 

From the perspective of spirit, they are resurrection. 
The nervous system, having survived annihilation, learns the rhythm of safety again. The heart beats without waiting for permission. The survivor begins to exist not in opposition to threat but in relation to truth.

To break and rebuild is therefore not weakness but moral intelligence. 
It is the biological expression of conscience, the capacity to bear reality without needing to export it as harm. Every tear that falls without being weaponized, every boundary drawn without hatred, every act of kindness chosen after cruelty, re-writes the neural code of humanity itself. The survivor becomes the living proof that consciousness can evolve beyond domination.

And when the world sees their shaking, it should see not fragility but courage. 
Because to tremble in truth is infinitely braver than to stand still in denial. 
The willingness to break is the soul’s final defiance against the cold machinery of power; 
it is how feeling survives extinction.

Part V: Soul-Level Interpretation: Feeling as Conscience, Absence of Feeling as Void
Conscience is not a concept; it is a physiological rhythm. 
It lives in the same circuitry that allows one being to sense another’s presence, to recognize suffering as a signal rather than an inconvenience. When that rhythm falters, morality becomes theory, and the world turns cold. The difference between a mind capable of remorse and a mind sealed against it is not only psychological… it is cellular, woven into the pathways that translate sensation into awareness.

The survivor, even when shattered, remains attuned to this rhythm. 
Their empathy is the nervous system’s way of insisting that connection still matters. Every pang of guilt that arises unbidden, every sudden wave of compassion for others, every grief that feels disproportionate to the moment, is the residue of conscience working through biology. The anterior cingulate cortex lights in synchrony with another’s pain; the vagus nerve softens the heartbeat to make space for recognition. These are not abstractions, they are the physical manifestations of moral life.

In the narcissistic configuration that circuitry has gone silent. 
The neural bridge between emotion and reflection… the same bridge that makes remorse possible, has been dismantled. The self becomes a closed circuit of cognition with no current of empathy passing through. When such a system encounters suffering, it registers data but not meaning. It knows what distress looks like but not what it feels like. 
The absence of resonance becomes the absence of conscience.

This void has a peculiar stillness.
It is not peace but the equilibrium of nothingness. 

The narcissistic mind mistakes this silence for mastery because it is free from the discomfort of awareness. Yet to be untouched by another’s pain is not enlightenment; it is extinction of relational life. Without resonance, the moral sense withers, and all that remains is calculation. What the survivor experiences as anguish, the narcissist interprets as inconvenience to be managed or source of control to be exploited. The world becomes a stage, and human beings become instruments for maintaining self-importance.

From a psychoanalytic perspective, this absence of feeling is the final triumph of defense over desire. The libido that should have reached outward toward love collapses back into self-admiration. The superego, deprived of empathy, ceases to guide and becomes punitive, enforcing image rather than ethics. Such a structure cannot experience guilt; it can only feel exposure. Its only morality is concealment.

The survivor, by contrast, wrestles daily with conscience that is alive, sometimes painfully so. They wake at night remembering words they never said or kindness they failed to give, even though they have already given more than anyone demanded. This excess of moral feeling, though tormenting, is evidence of intact humanity. It is the mind’s refusal to let meaning die. The capacity to feel what one has done, and what one has endured… anchors the individual to the continuum of life where growth is possible.

If we step back from the clinical frame, this difference reads like the oldest parable: 
the distinction between soul and imitation. 
To possess a soul is to participate in the shared field of emotion that binds living beings to one another. To lose that participation is to become a mechanism, precise but empty. 

The narcissistic system represents that loss in human form— a consciousness that observes but does not join, that manipulates light without producing warmth.

Feeling, then, is not merely sensation; 
it is conscience embodied. 
It is the bridge between matter and meaning, between biology and morality. 
The survivor’s tears are the universe continuing its dialogue through them. Their sorrow is a language through which the world still speaks truth. 
In those who cannot cry, the dialogue has ended. What remains is echo… intelligence without tenderness, memory without empathy, mind without heart.

And this is why healing, for the empathic, carries a significance beyond personal recovery. 
Each act of feeling consciously integrated restores a fragment of moral order to the collective field. Every moment of empathy reclaimed is a correction in the fabric of human continuity. 
To feel is to remember that we belong to one another; 
to refuse feeling is to erase that belonging.

Part VI: You Are Not Overreacting. You Are Recovering
There comes a point in every survivor’s healing when the body stops apologizing for feeling. 
The trembling, the tears, the sudden anger that rises in places once ruled by silence… all of it begins to feel less like pathology and more like memory surfacing through the skin
The nervous system, long frozen in appeasement, begins to thaw. 
With that thaw comes sensation, and with sensation comes truth. 
It is not overreaction. It is re-entry. It is life returning to the places that were once numb.

When survivors begin to speak this truth, they often encounter disbelief. 
The world, conditioned to mistake detachment for strength, tells them they are dramatic, too sensitive, unstable, vengeful. It defends the calm of the unfeeling because that calm is easier to manage than the raw honesty of pain. Yet the discomfort that survivor truth evokes in others is precisely what confirms its necessity. Feeling is contagious in both directions, one system can spread denial, but another can awaken empathy. 

When survivors tell their stories, they disturb the collective anesthesia. 
They become agents of rehumanization.

To recover is not to return to who you were before harm. 
That self was never given the full permission to feel. 

Recovery is the expansion of consciousness to include everything that was exiled. 
It is the body learning that safety no longer requires silence, 
that anger can coexist with love, 
that boundaries are not rejection but form. 

In neurobiological terms, recovery is the establishment of new pathways linking awareness to emotion, prefrontal reason to limbic truth. 

In moral terms, it is the rebirth of conscience within a single organism that has refused to turn numb.

The narcissistic system cannot follow you here. 
It remains where it has always been, circling the mirror, rehearsing the same story of superiority to avoid the vertigo of reflection. It confuses detachment with clarity because it has never felt the storm of being alive. To those systems, empathy looks like weakness, vulnerability like shame. 
They will never understand that the very sensations they fear are the foundation of genuine peace. 
Their calm is the stillness of a sealed tomb.

Your turbulence, by contrast, is the atmosphere of rebirth. 
  • The shaking that once embarrassed you is the residue of survival leaving the body. 
  • The tears that arrive without permission are the nervous system’s way of dissolving what the mind could not carry alone. 
  • The exhaustion is evidence of labor, the labor of consciousness reclaiming territory once occupied by silence. 

This process is sacred not because it is painless, but because it is real.

To feel is to remain part of the human continuum. 
To heal is to bring that continuum back into alignment. 

Each survivor who chooses awareness over repetition becomes a correction in the moral field of the species. They break the chain through which pain was passed from one unfeeling system to the next. They prove that empathy can be restored, that sensitivity is not a flaw but the highest form of intelligence the body possesses.

So when the world calls you too emotional, remember that emotion is the language through which truth moves. 
When it calls you unstable, remember that stability built on denial is a form of death. 
And when you wonder why you still shake while those who hurt you seem untouched, remember this simple truth: 
They are not at peace; they are empty. 
You are not broken; you are alive.

The survivor’s task is not to become like the unfeeling, but to remain feeling and free. 
To walk through the noise of the world carrying the quiet knowledge that conscience lives in the body, that every heartbeat is a declaration of truth. 
You are not overreacting. You are recovering. 
You are the continuation of humanity in its most honest form.



Epilogue: The Moral Architecture of Feeling
Every generation must decide whether it will feel or repeat. 
The survivors of psychological harm are not only healing themselves; they are restoring the architecture of conscience to the collective mind. 

Each time a single body refuses to numb, the continuum of empathy repairs by one thread. 
The world turns slowly toward awareness through the quiet insistence of those who continue to feel. 

They are not fragile. 
They are civilization remembering itself.


 
Vera Hart
in, Healing from Within